Gibson Les Paul Studio Faded 50’s Tribute Gold Top

Check Price Gibson made history with their Les Paul line of guitars. Along with Stratocaster, this is the ultimate electric ax to have. Over the years, they have developed a wide variety of models under this single name. Ranging from pretty exotic to most blunt ones, every Les Paul offers the essence of what made this guitar, and Gibson along with it, so popular. Les Paul Junior does that as well, in a pretty new way. Same goes for Junior here. The difference between this guitar and your most vanilla Les Paul is in the details. It features a flat top instead of an arched one, lacks the intricate pick guard, and so on.

Gibson Les Paul Studio model

Le Journal, 19 January Newspaper “Le Printemps en fil de fer. Newspaper, Exhibition Review Caby.

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The key feature of the Les Paul Classic was it’s slim neck profile. The Les Paul Classic also had some other features true to the original: Some differences were the Les Paul Classic’s truss rod cover with “Classic” and pickguard engraved ” The Classic’s higher price was justified by its reissue-yet-modern vibe and was further enhanced by availability in several sunburst finishes, and in bullion gold on the top, sides, back and neck.

There was no special effort to find figured maple for these so most of the tops on sunburst Classic models were plain. The Les Paul Classic specifications were adjusted during the early s. In many respects the Les Paul Classic was a more accurate reissue than the ’59 Les Paul of the early s. By swapping a few easily found parts: In the Classic line was extended again with the introduction of the Premium Plus model.

Dealers were unhappy with the variability of the figure in the Classic Plus models So the Classic Premium Plus guitars had tops which were better than “plus” tops but not usually as fancy as the ’59 reissue tops. At the start of both these models were still almost like ’59 reissues for a lot less money. Gibson fixed this in mid when the decal on the headstock of all Classics was changed from “Les Paul Model” to “Les Paul Classic” and they widened the binding in the cutaway.

This stopped a Classic with swapped truss rod cover and pickguard being passed off as a ’59 reissue. Vintage Guitar magazine, May

GIBSON Les Paul: Classic Series electric guitars

There are many people out there who dismiss me as an asshole simply because they don’t know the facts. It is a poor business practice for me to point these things out and call attention to Gibson’s blunders. Why do I do it then?? I could probably make more money if I just bit my tongue and looked the other way like everyone else does. There is no consumer reports in the guitar business.

The Gibson Serial Number Decoder currently supports 6 formats from 4 Factories. For guitars made prior to use the extended search function. This new function will try to match the serial number against older formats, details required for an exact match are listed in yellow.

In , however, the Standard that is recognizable today was released and has been popular ever since, with world famous musicians such as Jeff Beck and Paul McCartney wielding one on stage. Body The body of a Les Paul Standard is crafted with the same arch-top design that can be found on nearly all Les Pauls, and like most Gibson guitars, the ’93 Standard’s body is made from pure mahogany, with a maple top. Although by the s most models were available in an array of colors, the sunburst body design is still the defining color for Les Paul Standards, dating to the original version, which was the first Les Paul not to have a purely gold top.

The Standard weighs just under 10 pounds. Neck and Fingerboard The neck and fingerboard of a ’93 Standard have the same basic design as most Les Pauls. The board itself is made of high-quality rosewood, typically Brazilian, which is known to add both sustain and a rich tone to the notes. Atop the board are the usual 22 frets with trapezoid mother-of-pearl inlays spaced in between. The neck of a ’93 Standard, like the body, is made from mahogany, along with the headstock, which is slightly angled and, in the usual Gibson style, contains three tuning pegs on each side.

Hardware, Knobs and Switches Although gold hardware does exist on some ’93 Standards, chrome or aluminum hardware is more commonly found when it comes to most Les Paul Standards. The patented “Tune-O-Matic” bridge, along with the detachable tail-piece on the ’93 Standard, are plated in nickel. This model is also fitted with the famous Kulson-style Gibson tuners, as well as the typical two-tone and volume knobs, one for each pickup on the guitar, which are controlled by the classic Gibson three-way toggle switch.

Pickups Pickups, since they are so easily removed and replaced, are among the first parts of a guitar to be customized, so an array of pickups can be found in the ’93 Standards. The usual Standard, however, can be found with the famous double-coil R pickups, which are located closer to the neck, and also double-coiled T pickups, which are located near the bridge.


Not Peggy Lee Format: Only tracks featuring Peggy Lee are listed above in other words, not the full track listing. In its heyday, this track album was a treasure trove of debuting masters.

Since the value of a Gibson Les Paul differs widely between and , it is very important to pinpoint the year. As for dating pots, you are correct that the fourth and fifth numbers of the potentiometer date code indicate the last two digits of the year (that is, the “71” in your serial number stands for ).

His family was of German ancestry. After trying to learn the piano, he switched to the guitar. It was during this time that he invented a neck-worn harmonica holder, which allowed him to play both sides of the harmonica hands-free while accompanying himself on the guitar. It is still manufactured using his basic design. While playing at the Waukesha area drive-ins and roadhouses , Paul began his first experiment with sound.

Wanting to make himself heard by more people at the local venues, he wired a phonograph needle to his guitar and connected it to a radio speaker, using that to amplify his acoustic guitar. He met pianist Art Tatum , whose playing influenced him to stick with the guitar rather than original plans of taking on the piano.

Gibson Les Paul Studio Lite Cherry Burst,

Epiphone Les Paul Epiphone Les Paul Dating back to and once a major rival of Gibson, the Epiphone company and brand were purchased by Gibson’s parent company in Originally the Epiphone models were made in the same factory as the Gibson guitars, by the same craftspeople using the same materials and often with the same features as Gibson models, but manufacturing of most of the Epiphone instruments was switched to Asia sometime around Today, Gibson primarily uses the Epiphone brand as their high value, lower priced overseas-built alternative to their top tier Gibson USA models.

All Epiphone models sold in the United States are subjected to a 15 point inspection process, and are “set up” in the USA by trained Gibson employees at their Nashville facility.

Shop for the Gibson Les Paul Studio Electric Guitar and receive free shipping on your order and the guaranteed lowest price.4/4(3).

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The Les Paul Forum (Guitarsite)

But, with more than 75 years of shipping records in the Gibson books, and dozens of variations on numerical schemes used over the years, serial numbers sometimes do little to shed light on the origin of a mysterious Gibson. With vintage Gibsons selling at auction for as much as half a million dollars, Davidson will sometimes roll up his sleeves and poke around in the ledgers, but only as time allows. The earliest volumes contain hundreds of yellowed pages covered front and back with rows of handwritten numbers.

It can take Davidson several hours to locate a specific serial number, if he can find it at all. Even then, there may be four other guitars—of all different models—with the same number sequence.

How to Date a Gibson Using Serial Numbers, FONs and Logos. Published Sep 23, by Cole Makuch. Dating a Gibson by Factory Order Number (FON) Les Paul Custom. Starting in , ‘Made in USA’ was stamped on the headstock below the serial number.

With Ted McCarthy at the helm, the Gibson Company wanted to make sure they acquired a share of the solid body market, and came up with the concept of approaching a well known musician, Les Paul , to design a range of solid body electric guitars. Interestingly, Les Paul had already approached Gibson in with some designs and ideas for an electric solid body guitar, and had been ridiculed by Gibson.

There is some ambiguity over just who designed which parts of the original Les Paul, with Les Paul himself telling a very different story to the Gibson employees at the time. In the Gibson version of the story, the company had already completed the design of the Les Paul before Les was approached to endorse it, the only modifications he made to the design were bridge and the name itself. The story told by Les himself is a little different, he tells that he already had the ideas for the Gold Top and the Black Custom, and Gibson gave him the final say in every part of the design process.

The original Les Paul design later came to be known as the Gold Top, due to the actual finish of the guitar. Most Les Paul guitars produced in this period came with a maple top that was gold coloured, with the back left natural. Hence gold on top, or Gold Top. The actual finish of the guitar was accomplished using a bronze powder, and over time, this took on a greenish due, resulting in the unmistakable vintage Gold Top look. A matter of contention was the original Trapeze tailpiece, which was implemented incorrectly by Gibson according to Les Paul.

Les had intended for the strings to wrap over the tailpiece, not under as the production models came out. This made playing using right hand dampening techniques virtually impossible. In Gibson finally decided that Les was right, and changed the tailpiece, as well as the angle that the neck joined the body. This resulted in a vastly improved playing experience.

Les Paul Guitar Kits, A DIY Classic

New Jersey The Traditional model is basically a era Standard, and they do get better wood selection that the Studios. The Trad Plus also has lower output more vintage-y Classic 57 and 57 plus pickups, the Trad Pros get a 57 plus a Burstbucker with coil tapping, while the Studios get somewhat hotter R and T pickups. Studios are chambered, Trads are weight relieved “Swiss cheesed”.

Of course the bound body and neck add a lot to the cost. The biggest difference is probably the necks, with the Trad Plus having a fairly chunky 50s style neck, and the Pro and Studio have the slim-taper 60s neck. The Trad Plus gets a spectacular flamed maple top and is available in a variety of beautiful bursts, as well as Gold Top and Ebony.

Gibson Serial Numbers What a serial number can and can’t tell you about your Gibson. Another resource for IDing and dating guitars is Gibson’s computer database, which catalogues scores of serial numbers from on through the present. “so we changed the Les Paul Classic font because we found a stamp as close to the ’60s version.

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Superior Music

Here it is in “Iced Tea. With all the fat, sweet, snarling Les Paul tone that purists love, the new Gibson Les Paul Standard Traditional Pro II sports a mahogany body with a thick maple cap for the perfect blend of warmth and clarity. The top is finished in high-gloss lacquer, while the back, sides, and neck have a smooth satin finish that feels great and lets the wood resonate fully.

The Les Paul Studio is a stylish, essential guitar that delivers on design, tone and playability with authority. The white-bound, solid-rosewood fingerboard and SlimTaper neck provide a high-end appearance and enhanced playing feel. A pair of Gibson’s most popular humbucking pickups, ‘57 Classic 4/4(5).

Go to menu top I never heard anything better than a Fender if we’re talking about the big manufacturers. Later on, in the Guitar section, I’ll also talk about Standel and EchoSonic , but they’re produced in such small numbers that it’s fair to say they’ll only have historic interest to the most of us So As long as you get a tube Fender you’ll probably be on the right track, because they all sound pretty good.

It doesn’t have to be vintage at all, but they do look pretty cool. Actually I started out playing a vintage Vox AC 30 and it wasn’t bad at all. The sound was very ‘tube’ and that’s what you’re looking for, but Fender is still the better choice for Rockabilly. Fender Bassman ’59 reissue Many Rockabilly guitarists play a ’59 Fender Bassman or similar – vintage or reissue. It sounds perfect for rockabilly. The distortion which is where you get the right sound from changes dramatically with change of volume.

That’s very impractically when you play live, where you have to adjust the volume after the size and acoustics of the place where you playing. I found a way to get around that and always have the same “Bassman-sound” no matter what volume I’m playing at Here’s a page with photos of some actual recording sheets where you can see how the SansAmp was set. I play through my Fender Showman which has a very clean sound at all volumes.

Gibson 2014 Guitars – Part 3 – The Les Paul Studio